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An 1805 map of the Yellowstone River, which historian James P. Ronda writes, was based off drawings or information from the Mandan chief Sheheke and copied by William Clark, who noted that it led "as far as the high mountains." [Photo] Beinecke Library, Yale University

Typologies of Silence

In “Typologies of Silence,” the Sharp End article for Alpinist 55, Editor-in-chief Katie Ives discusses some of the muted stories in accounts of early American mountaineering–as well as the efforts to create a more inclusive history today.

Between the Earth and the Sky

For our Climbing Life department in Alpinist 55, high school student Kai Lightner writes about his first multipitch traditional climb on Stone Mountain, with Yosemite pioneer Doug Robinson. For more, wide-ranging stories from our print magazine contributors, pick up a copy of Alpinist 55.

Bluemlisalp traverse above Kandersteg, Bernese Alps. [Photo] Abacus Mountain Guides

Poetry Feature: Three Poems by David Wilson

“Tell me again about being single-minded, / about couloirs bulging with fat blue ice / and dawn arriving high in the Alps; / how a slope exists at a perfect angle / where it all might kick in again.” Read three poems from David Wilson.

Heidi on the summit of Gasherbrum II (8,035 m), 1996.

Home: an Index

“There is glacial power in language, in naming things. I am here because my mother gave me a vocabulary for motion,” poet Devi Lockwood writes about her experiences growing up as the daughter of a mountaineer–in this essay for Alpinist 55. Subscribe today or preorder at the Alpinist.com store.

Tat removed from Recompense (5.9) at Cathedral Ledge, NH by the author in 2011. [Photo] Mike Lewis

Trango Piranha Knife: Sharp, Low Profile and Opens Bottles

As a guide, I’m often asked what I carry on my harness. In addition to standard climbing hardware, plus prussic cords, a Tibloc, and a Micro-Traxion for glacier travel, I carry a knife. Once my clients see the knife, they often reference Joe Simpson’s classic mountaineering epic, Touching the Void. Unlike the moment of decision in the book when Simon cuts the rope to free himself while letting Simpson fall into a crevasse, I carry a knife for other reasons: these include to cut tat, add cordage to existing anchors, and cut the free ends from a stuck rope.