Mailee Hung

Dreams of Rising Waters

by Mailee Hung

In this science fiction story from The Climbing Life section of Alpinist 76–which is now available on newsstands and in our online store–Mailee Hung considers the conundrum of climate change in a short essay. Her narrator declares: “I don’t want to go back to the land. I grew up on frenetic cartoons and fake marshmallows in breakfast cereals; I built an academic career on movies and cyborgs. We look, guilty, at our well-heeled boots, wax poetic about the feeling of our hands in dirt, but I don’t want to till the soil. The digital is like dreaming, intangible yet inextricably material: heat radiating from our bodies or server stacks. We once were wind-carved, exposed to the elements. It was hard, then, harder than skyscrapers or computer chassis. Will we be glad to have somewhere to retreat to when the waters rise?”

A climber displays their worn tape gloves. [Photo] Andrew Burr

Tool Users: Crack Climbing Gloves

by Mailee Hung

In this Tool Users story that first appeared in Alpinist 70–which is now available on some newsstands and in our online store–Mailee Hung considers the history, and the perceived absurdity, of crack climbing gloves.

A Get Out And Trek (GOAT) climbing event in Kent, Connecticut. [Photo] Courtesy of GOAT

Get Out And Trek announces LGBTQ+ Outdoor Equality Index

by Mailee Hung

The Vermont-based adventure company Get Out And Trek (GOAT) announced on May 14 that they are developing the outdoor industry’s first Outdoor Equality Index (OEI) to help companies and organizations improve their diversity, equity, and inclusion efforts targeting LGBTQ+ communities. The group will survey participating companies from June 2020 through June 2021.

James Edward Mills stands in front of his exhibit featuring African American mountaineer Charles Madison Crenchaw at the Bradford Washburn American Mountaineering Museum, in Golden, Colorado. [Photo] Courtesy of James Edward Mills

Something Yet Higher: Charles Madison Crenchaw Exhibit Opens at the Bradford Washburn American Mountaineering Museum

by Mailee Hung

“Something Yet Higher,” an exhibition featuring African American mountaineer Charles Madison Crenchaw, opened at the Bradford Washburn American Mountaineering Museum on February 6. Crenchaw was the first Black man to summit Denali in 1964, an accomplishment that remains relatively obscure despite its historic significance. James Edward Mills curated the exhibit.

[Image] Richard T. Walker. the fallibility of intent #1, 2015; cut-out archival pigment print; 32 x 48 in. Walker's work teeters between the humorous and melancholic, juxtaposing the sublime with what it means to be imperfect and ultimately human, wrote Amy Owen in a California Gatehouse Gallery brochure. Courtesy, Richard T. Walker

Off Belay: Beyond Conquest

by Mailee Hung

In this excerpt from Alpinist 57 Mailee Hung explores artwork by Richard T. Walker that “casts unease on traditional aspirations” and helps us consider “how to describe the aesthetic experience of climbing beyond this inherited legacy” of alpinists as conquerors.